How do writers, creatives, artists and bookish souls cope with isolation? Is their capacity to cope different from the rest of the population? It’s an interesting question and one that fascinates me.
How is Katherine Mezzacappa coping with this enforced isolation?
At time of writing, lockdown here in Italy is easing, but I am still wary of emerging into the sunlight. To begin with, it wasn’t isolation per se that was difficult to cope with from a creative point of view, but the fear of all the unknowns around the pandemic – I’ve got a little better at living with them. I had the advantage of having worked from home for years so I was used to not having the routines of a commute and a shared office. However, my job is paused at the moment until later in the year, which meant I had to think about how best to use that time. Time is what writers often complain they don’t have enough of, but when you’re suddenly faced with lots of it, the prospect is daunting, and you feel guilty if you don’t take advantage. I know from my writing network that I’m far from alone in feeling that. I had final edits to do on two books, The Gypsy Bride (Katie Hutton) and The Casanova Papers(Kate Zarrelli) so having the space for them was a boon, though revisiting a book set in Venice when I could see that city on webcams, silent and shuttered, was also heart-breaking. Writing did pick up though, as well as other ‘writery’ activities. I’ve co-presented at a virtual litfest with an old friend from MA days, though we’re thousands of miles apart. I am now an assessor for a writing consultancy and a proofreader for a new Italian publisher. Writing predominantly historical fiction is an advantage in lockdown, as the writer must perforce go in her head into a vanished world, and the less interference from the modern one there is, the better (provided that for research purposes, Google works, and ABEbooks still deliver!). Frustration as a writer lies in not being able to do field visits for future projects – a first world problem, and those places will be waiting for me afterwards. The virtual company of other writers has become more important than ever before. There have been some stellar online opportunities, like the Society of Authors workshops, and the Arvon at Home readings. I hope these persist alongside conventional offerings once the pandemic has passed, as they represent real accessibility and democratisation of the business of writing.
Katherine Mezzacappa is an Irish writer of mainly historical fiction now living in Italy. She also writes as Katie Hutton and as Kate Zarrelli.
Her début historical novel as Katie Hutton, The Gypsy Bride, was published May 2020 on Kindle and Audible by Zaffre Books, with the paperback to follow in June.
A sequel, The Gypsy’s Daughter, is in preparation for June 2021. As Kate Zarrelli, writing for eXtasy Books, she is the author of Tuscan Enchantment (2019) and The Casanova Papers (June 2020). Her short fiction (as Katherine Mezzacappa) has appeared in Ireland’s Own, Erotic Review Magazine, The Copperfield Review, Turnpike, Asymmetry and in anthologies with the Bedford International Writing Competition, Henshaw Press and Severance Publications. She’s a member of the Irish Writers Centre, the Irish Writers Union, the Society of Authors, the Historical Novel Society, the Historical Writers’ Association and the Romantic Novelists Association. She was awarded a Cill Rialaig residency by the Irish Writers Centre in 2019 for the writing of a Renaissance novel, Giulia of the Albizzi. Katherine regularly reviews for the Historical Novel Society. She holds a Masters in Creative Writing from Canterbury Christ Church University in addition to an MLitt in Eng Lit from Durham and a first degree in History of Art from UEA.
You are never alone with a book; that’s as true now as it was when I was a lonely teenager. Historical fiction allows us to escape into a different world, and without being preachy about it, can help us realise that we’ve been through terrible times before without the advances in healthcare and communication that aid us now. I do not believe that writers of historical fiction should offer nostalgia to their readers – more perhaps a realisation that human beings are often more resilient than they realise.
Thank you so much to Katherine for being my guest. It is interesting to hear her thoughts from a historical fiction perspective.
It’s been wonderful featuring such a variety of authors and bloggers in this series. All have shared such interesting and perceptive thoughts on lockdown and isolation for writers.
We truly are living in history at the moment. No doubt future generations will reflect on this time period in their studies to come.
I have to agree with Katherine, the human race will find a solution. It will take time but we will get there.
For now, this is the last in this series. Thank you to all that have taken part. I am currently working on my COVID19 diaries, flash fiction and poetry collection which I hope to release soon. And I will also be finalising my YA fantasy The Curse of Time #2 Golden Healer.
More about that soon.
Please comment below, I’m sure Katherine would love to hear from you.
In the meantime, stay safe, stay well.
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