This week, Kat Myrman, from Like Mercury Colliding, selected the words:
Imagine & Gratitude
So, I decided to write about my recent walk in the botanical gardens in Cambridge. It was a glorious autumn day which filled my spirit full of imagination and gratitude. There is a small area which is normally for school children only but this has been opened to the public.
I took various photos. I particularly loved this lovely writers throne which I shared on my Instagram…
A writers garden
Blessed with thanks
And this was so unusual, just a couple of broken branches but they looked like a crocodile’s head and tail!
I thought I’d write a nonet to celebrate my hubby and I ‘s anniversary. We had a lovely day together yesterday. So this is for us! We’ve stood the test of time and been married for 33 years! Imagine… He isn’t one for social media, so I rarely post photos of him, so instead here is a lovely pic I found on pexels.
This lovely dessert was one of the tastiest, most visually pleasing delights I have ever had the pleasure of eating!
But, it’s not for everyone… not if you are allergic to egg whites, or you don’t like meringue, or…
You love meringue but have put on a few pounds during lockdown… maybe I shouldn’t have another one…
Only joking, this was at a restaurant…
A tempting, strawberry high
My body shouts NO!
A strawberry crown
Crumbling meringue face
Dotted with delight!
Somehow I prefer the last one… oh dear I do have a problem. Even my poetry is saying eat the dessert… Such a sweet tooth!
Which poem do you prefer? Let me guess…
I love poetry!
I write poetry in all of my books (excluding some of the anthologies.) You’ll find poetry in Mr. Sagittarius, Poetry and Prose, in The Curse of Time Book 1 Bloodstone, (short form poetry at the beginning of each chapter,) and there is also poetry in the anthology/compilation This Is Lockdown.
The book touches upon the impact of suicides on train drivers. Hence, the mention in this poem.
A sad topic but an important one to address, particularly during these difficult times.
Remember, if you are ever feeling lost, low or depressed there is always a better day waiting for you in the future. Today might be hard but keep your family and friends close to your heart and always talk through your problems with a friend, family member or counsellor. A problem shared is always halved.
Colleen Chesebro is looking for syllabic poetry donations for Part Two of her book:
It’s time for an update on the poetry I need for examples for my new book, Word Craft – The Art of Crafting Syllabic Poetry. I’ve been playing with book cover ideas. The book is divided into two group: Japanese forms and American forms. This book covers the eleven forms we use in the weekly…
To all those who wear their hearts on their sleeve because I know sometimes that can get messy.
Sarah Northwood, award-winning author of multiple novels and multi fiction writer presents her fourth poetry collection, Poetry of the Heart and Soul. This moving collection is split into roughly three parts. Beginning with relatable pieces which delve into the mind of anxiety and feelings of inadequacy, then exploring what it is to love and feel loved. Ending with uplifting and inspirational pieces, each poem includes a footnote from the author.
I am part of Sarah Northwood’s advanced reader/beta reader group. It has been such a delight to discover a new author/poet via Kaleigh @(Cooking The Books) who invited me to beta read Sarah’s book.
I’m glad that she did as I thoroughly enjoyed Poetry of The Heart And Soul. It’s a beautiful collection of poetry – personal to the author in many ways and shared in a thoughtful, generous and accessible way.
There are considerate touches in this collection – the asterisked explanations of some of the poems enabling the reader to get a deeper insight into the author’s thought processes whilst writing Heart and Soul. For instance, in Fears, she explains that the poem was written at a time when she was fed up of giving life to her fears.
There are three lined poems like Minor Key, touching upon the subject of melancholy and Fly which manages to be magical in its brevity. Longer story type poems grace this collection too – such as Lost.
I loved all the poems but especially:
Falling (inspired by a visual cue)
Blue (which was originally a lyrical piece to put to music)
Cease and Desist – that made me smile – our British obsession with the weather!
Reach Out (suicide prevention)
Presently (about holding back the years.)
More than Once (on the subject of life and marriage.)
My Kind of Romance
A Mother’s Love
My rating 5 stars. Highly recommended for poetry enthusiasts.
Sarah Northwood is a multi-genre British fiction author. She enjoys writing stories and poems for children, young adults and adults alike.
In Colleen’s words: ‘This poem is created with a 2/4/6/8/2 syllable count for each of the five stanzas. The last stanza is where it gets interesting. You take line one from the first stanza, line two from the second stanza, etc. until you’ve created the last refrain.
I especially like this form because it combines the brevity of syllabic poetry into a longer verse poem that tells a story.’
This is inspired by my photo of the copse of trees. My daughters and I were taking a walk during lockdown. We’d often taken this walk before but this time we stumbled upon a different pathway to the left.
I hope you enjoyed the cinquain garland poem. I’ve never written one of those before. I liked how it told a story! When we drive everywhere we miss so much. It’s great to walk in nature and find little gems.
My new book is coming soon! It is currently with first draft beta readers. There may be some changes and a few more writers to add to the collection.
This Is Lockdown, is a compilation of my diaries during lockdown, plus short stories, flash fiction, and poetry.
Houses and rooms are full of perfumes, the shelves are crowded with perfumes, I breathe the fragrance myself and know it and like it, The distillation would intoxicate me also, but I shall not let it.. . .
from Leaves of Grass
Drawing on the phrasing of Walt Whitman’s great late 19th century poem Leaves of Grass (above) Frank Prem has produced a collection of expansive and outward looking love poetry written, as always, in the unique style that allows every reader to relate.
Prem’s interpretations breathe new life into contemporary exploration of themes of love in poetry, and utilise Whitman’s original phrases to inspire a contemplation of the self in the context of landscape and the wider world:
and as they open I realise they are filled with sweet perfumes
from a house filled (with the sensual)
a kiss for the worthy is the second of three collections that together comprise A Love Poetry Trilogy, with each revisiting outstanding work by stellar poets of the past to produce vibrant new collections. The first collection, walk away silver heart, draws on Amy Lowell’s deeply personal Madonna of the Evening Flowers, while the third, rescue and redemption, derives from T.S Eliot’s The Love Song of J. Alfred Prufrock.
This is a new kind of poetry that tells stories, draws pictures and elicits emotional responses from readers. Just as the best poetry should.
A Kiss For The Worthy is the second of three poetry collections in A Love Poetry Trilogy, drawing inspiration from Walk Whitman’s Leaves of Grass.
It begins with an extract of leaves of Grass: Song of Myself.
Frank Prem’s free style poetry is always a delight to read. Freestyle or free verse poetry frees the writer from the constraints of meter and rhyme.
Compared to Prem’s other works A Kiss For The Worthy focuses on the person within: the concept of self and an individual’s experience of and love of life. It awakens the readers appreciation on so many levels, from the sensory imagery of feet walking on sand, to the familiar battles of drinking too much coffee!
There is something for everyone – from the philosophical to light-hearted humour too.
My personal favourites are:
not until (I die), in blossom wild (a nature boy), a house filled (with the sensual), what I am (a lapwing’s call), every working man, not much left (of me), espresso (no and no)