My Friday Image: Started in a Book Tunnel Ended Up In A Library

books-21849_640

A Tunnel made out of books! Wonder of Wonders. Imaging crawling through it as it  becomes narrower and narrower. Would your thoughts dwindle as you wandered further into its clutches? Or would you linger by the opening and stare in wonder at the sheer size of it? Who knows where this tunnel of books could take you? Anyway, whatever you do don’t pinch any of the books, you’ll spoil the look!

screens-457713__180

It’s sunny outside. Washing time.  Air those books!

book-375456__180

If you’ve got time on your hands and you’re feeling romantic? Try your hand at book sculpture.

library-489740__180

Or would you prefer something a bit more traditional?

library-425730_640

Or fantastical?

john-work-garrett-library-211375__180
John Work Garrett Library

Maybe you’ve got a thing for rare books? Look no further than the Garrett Library ‘s collection of rare books and manuscripts gathered together over two generations by T. Harrison Garrett and his son John Work Garrett, before the latter bequeathed the collection in 1942 to Johns Hopkins University. Today, it is part of the Department of Special Collections at the university’s Sheridan Libraries, with some 30,000 volumes in all, the large majority of which are represented on-line in the Sheridan Libraries On-line Catalog.

library-443371_640
Rijksmuseum Library Amsterdam

Library nut? Visiting Amsterdam? Have you been to the Rijksmuseum’s library in Amsterdam? Doesn’t it look incredible?

library-74038__180
Library of Congress

Or maybe you might consider the US. The library of Congress in Washington D.C. is the largest library in the world, with millions of books, recordings, photographs, maps and manuscripts in its collections.

Well, I’ve been so distracted with writing this post and finding all these amazing images that I’ve had no breakfast or coffee so with that in mind. I will have to close this off with a few links:

For book sculptures visit these amazing sites:

http://www.sublackwell.co.uk/portfolio-book-cut-sculpture/

http://www.fuckyeahbookarts.tumblr.com

And libraries:

Library of Congress: http://www.loc.gov/

John Work Garrett Library: http://www.museums.jhu.edu/evergreen.php?section=collections&collection=john-work-garrett-library

20 Most famous libraries in the World: http://www.topdesignmag.com/20-of-the-worlds-most-famous-libraries/

Have you been to any of these amazing libraries?  Or found some wonderful book sculptures? If you have please tell me all about it in the comment field below. I’d love to hear your stories. Breakfast awaits!

Edinburgh Book Festival – Leigh Bardugo and Maureen Johnson

th6AQLKJVF

On Sunday  I was lucky enough to be listening to two American New York Times best selling authors Leigh Bardugo and Maureen Johnson, talking about “Alternative Worlds,” at the Edinburgh Book Festival.   Leigh Bardugo’s debut series “The Grisha Trilogy, Shadow and Bone,” is set in an alternative, magical, Tsarist Russia. At the moment this debut series is in the hands of Harry Potter producer, David Heyman, who is considering a film version.  Though it is not confirmed as yet, a movie may be scheduled to release in 2014 or 2015.

Maureen Johnson’s Shades of London series is a bloody, paranormal thriller:

  • The Name of the Star
  • The Madness Underneath
  • The Boy in the Smoke (World book day novella)
  • The Shadow Cabinet

My first impressions were interesting to say the least. Maureen Johnson sat to the right of Leigh Bardugo with a serious expression on her face, the interviewer appeared a bit unsure just how this conversation was going to progress. But as soon as Maureen spoke all those fears were dispelled. Maureen’s first words about her historical tour of London, were ghosts were mentioned at each and every opportunity, was an absolute riot. Maureen doesn’t believe in timid ghosts that genteely move furniture, or boohoo quietly in a corner, no only murderous ghosts are good enough for her! If she ever gets sick of writing I’m sure she could inflict her sense of wit on us as a very successful female stand-up comedian. Anyway the outcome of all these ghosts was a ton load of research. Maureen researched the history of London, ghost lore, and the Jack the Ripper case files. And the result was . . …….. The Shades of London series.

Leigh and Maureen talked about writing research, and world building. We had Leigh falling in love with her book ideas and Maureen reading her work for the tenth time and just dying. Murder, dying, you name it Maureen inflicted it on her poor unsuspecting audience.

Leigh started writing in her thirties after pursuing various careers, latterly she worked as a make up artist, concocting stories whilst she was applying make up to her clients. Maureen is so multi-talented that she writes scripts for the Nintendo DS and PSP versions of the Harry Potter and the Half-Blood prince video game.

Initially Leigh had problems finishing first drafts of novels that she’d started. I really relate to this, sounds so me! Luckily Leigh went on to write not just one stand-alone book but three,  her Shadow and Bone series, “feels like a trilogy,”  and boy does it deliver.

They talked about plotting, and planning. Maureen’s style wasn’t too structured to begin with but she was soon compiling character dossiers, and histories. Leigh commented that Lainie Taylor doesn’t plot at all. She observed that this could only possibly work if the author had a natural sense of story. Well, I’m a weak plotter, but only time will tell if I have what it takes to get away with this. In my case, a lack of initial plotting wasn’t such a good idea, I had to do loads of re-writes. I’d agree that in that first draft you are telling yourself the story, as Leigh suggests. Maureen referred to “a little toolkit,” to hammer her story into our consciousness. Ouch, sounds painful, steady on there Maureen.

Leigh’s trilogy is written in 1st person with a third person prologue and epilogues. The voice of her novel was hard to find. To begin with her main character’s voice was nice, quiet, and sweet but she soon found a more sour, pragmatic voice for Alina, her main protagonist, a teenage orphan.

Maureen killed off one of her characters before she even got a chance to appear in print. The fifth Martin, the youngest, was obliterated straight away. Well, Maureen jokingly said that babies don’t do much anyway! As an only child herself she was drawn to writing about a big, family, and a wacky one at that.  Her final novel, in her Shades of London series, is now in the hands of someone. She jokingly said that she hopes it was actually a Penguin representative and not some random manuscript stealer.

According to Leigh there are some wonderful benefits of being an author, living in your pyjamas is one of them, but killing your characters can be tough. Absolutely agree Leigh, you just live and breathe those characters, they become engrained in your thoughts. Maureen advised us to “Just do it!” No second thoughts or holding back there, Maureen.

Maureen and Leigh closed off the proceedings with a reading. Maureen kicked it off with a very amusing passage from Scarlett Fever and Leigh took us to a dark place to inflict the darkling on us, and I’m still there, hoping that I will eventually manage to escape!

Then finally the discussion turned to the professional aspect of writing that is often overlooked, touring, and social media. Is this a fun aspect or a chore? Leigh said that she didn’t have to do this but she loved it. Oh, and of course her publishers encouraged her to do so. She said that when you’re on a tour you get to see a new city everyday. It’s the best job ever! Be yourself on line, find out where you should connect with your readers, Leigh felt most at home on tumblr.

To begin with Maureen answered this question dead pan. Writing and being a writer are very different, she said. Do what feels right to you.  People found me on twitter, and their response seemed to be, you’re a writer?

The question and answer section followed next. There was a bit of a reluctance from the reticent Scottish audience but one brave soul asked whether Maureen had been on one of many of Edinburgh’s haunted ghost trips? Maureen hadn’t had the opportunity but yes, she would have liked to, but she had a feeling that Edinburgh’s ghosts might not be up to scratch. It sounds like Maureen takes a lot to scare her.

The next question touched upon strong female characters, a topic that is most definitely a popular one. Maureen doesn’t like classifying books as boys books or girls books. That just makes her crazy. Leigh made the very valid comment that nobody talks about strong male characters, and Maureen even mentioned that there is some anger towards female characters. I think that we expect so much from our female characters, come on they’re just like us they’re flawed, nobodies perfect. In my opinion that’s what makes them interesting.

Then a young lad in the far corner asked the final question, the one that was no doubt pressing on the lips of many amongst us in the audience, myself included. It went something like this: “Have you any advice for young writers?” Well the tips went along these lines. Maureen told him not to expect too much. She said that her writing was “so bad” to begin with that she deserved these terms: “Arrest me,” “Kill me.” So if you’re writing terribly Maureen suggests that you’re on the right path because as Maureen says this will lead you to your goal of writing well. Thanks, this is so true, totally agree.

Again Leigh touched a chord with me, she said there’s “no expiration date on talent.” Thank you so much Leigh! Again she went on to say that you don’t have to be cute, popular or media genic, (is this even a word, and if so how do you spell it?)

Maureen carried on this tide of inspiration with “Don’t give up,” “Just finish,” Carry on to your “Eyes bleed,” finish that first draft. Maureen were you speaking to me?

Well it was a sunny day, and I came out smiling even more than when I went in. Such an inspiring, talk. I loved it, and guess what, I finished my final edits last night. Yes finally got there and my eyes didn’t even bleed they just blurred a bit. Now, just have to find a publisher. This is going to be the hardest part, but now I feel more prepared for it. I’m writing this in my pyjamas and I have this strong sense of belonging, I think I’ve already joined the writer’s club! Leigh Bardugo and Maureen Johnson were so entertaining and a absolute delight to listen to. I left feeling both inspired, and sure that I have finally chosen the right career path to an Alternative World.

If you could write about an Alternative World what would it be? Do tell, I’m sure it would be fascinating.

To find out more about these great authors websites, click away:

Home

Leigh Bardugo

 

 

 

 

I’m too sexy for this book! YALC panel event

th

I’m too sexy for this book! Am I talking about myself again? Eh, I think I better confess it was a YALC panel event, and it was rip roaringly entertaining. So of course, I want to share it with you. The chair James Dawson started off the proceedings by donning a fetching crown, announcing his role as Queen of Teen!  Well, he deserves the title as he now has his first YA book out,  Hollow Pike, watch out, witches never sleep! A very fetching Queen he was too. I was sitting next to my teenage daughter, well she’s eighteen, and still a teenager, just, and I heard her giggling just as much as me throughout the proceedings. This panel event was an absolute MUST.

.james dawson 01

James Dawson introduced us to the panel of fellow authors, Cat Clarke, Non Pratt and Beth Reekles who were more than happy to join in with a frank and illuminating discussion about sex and sexuality in YA. There was no skirting around the issue, sex reared its head and was allowed out to play.

Should writing sexy scenes be an issue in YA?

Why not write sexy scenes? Cat didn’t feel that writing sexy scenes should be an issue. Non said that she was a “horny and curious” fourteen year old. She wanted to read ‘horny and curious’ books. Beth was fifteen when she started writing Kissing Booth.The Kissing Booth was winner of the Most Popular Teen Fiction Watty Award, and was also shortlisted for the Young Adult Romance Novel of the Year in the 2014 RNAs.  Non Pratt’s Trouble touches on a subject that all parent’s dread, teenage pregnancy.  The overriding opinion of all the panellists: kids are exploring anyway so why not write what’s happening, rather than pretend that it isn’t happening. Well, this takes me back to my teenage self, I remember reading Lady Chatterley’s Lover. I don’t suppose I told my mother I was reading it but there you are. We’ve all been there, done it. Nothing has changed.

 

What’s the process of writing a love scene? How do you get in the mood?

 

passion-flower-284291_640
Passion Flower! Pixabay.com

Beth

I don’t go out and buy a flower. Maybe she should!  This Passion flower is getting me in the mood! She watches romantic movies, and reads chick lit, and tries to write with her  younger teenage self  in mind. What would  she have wanted to read at that age?

Non

Likes sex to be graphic, realistic. In order to get in the mood, “she hammers it out!” Her words!  She writes her favourite scenes first, drinking,  fighting, and sex scenes! Hey, Non, don’t hold back!

Cat

She has a sexy time playlist, via twitter which includes Prince but stays clear of Rod Stewart. She likes to write revenge sex, check out her book, Undone, in Goodreads it is described as  ‘A searing story of love, revenge and betrayal.’ Don’t get on the wrong side of Cat, she scratches!

Gatekeepers reaction to sex in YA books.

Non

Fear creates taboos. Parents and children don’t like to think about each other having sex. This sounds fair comment to me! Non didn’t have to alter her sex scenes but she did have a problem with the bureaucracy that tends to accompany school visits. She found that form filling, and opposition on the grounds of parents not liking it or on religious grounds were evident in school visits. All of these can of course be a problem for writer’s of YA  ‘sexy’ books.

Cat

Parents don’t like to see sex in YA books.  They like to see good, worthy content.  It’s crazy.  Cat hasn’t had too much trouble with gatekeepers (agents, editors). She has never had to change her books, even though there is an  oral sex scene in her book. Cats just get away with so much don’t they?

tabby-114782_150
Yes, I get away with everything! pixabay.com

 

Beth

Is aware that some of her readership tends to be younger, say  eleven years old, so she writes her books with that in mind. When Beth goes on Goodreads she find that parents sometimes have problems with content. Hey, stay away from Goodreads, they’re bound to tell you off!

The chair, James Dawson has so many  enlightening things to say. He announces that kids are at the mercy of google and it is better to read a novel than to be subjected to much harder hitting sexual images on google. I absolutely agree.

With that in mind should there be age ratings on books? All the panellists said…………………………. you guessed it NO.

Has Fifty Shades of Grey paved the way?

Both Beth and Non were published after 50 Shades came out so did this make it easier for them?

Beth

Beth felt that Fifty Shades has lifted the taboo to a certain degree.

Non

Fifty Shades was titilatting, and there were fourteen and fifteen year olds reading Fifty shades.

 

 James Dawson steered the panellists onto the subject of Taboos.

Non

Non’s taboos: Religion, alternative hole use! Her words! Prefers good vanilla variety sex, and recommended Helen Walsh’s The Lemon Grove. This sounds a great read. Thanks for the tip  Non.

Beth

Religion. Depression. Wary of graphic sex due to the age of her readership.

Cat

Torture. Yes, I agree with her on that one.

What about New Adult?

Non

Don’t believe in New Adult, think it is a marketing tool.

Beth

It’s a way of labelling books for gatekeepers.

Cat

Excited when she heard of the term New Adult, she thought it was about kids going to University. She would like to see books about that time in a young adult’s life. I agree.

In Cat’s opinion violence is more disturbing than sex. Sex is private. Violence is more visable, nobody complains about children killing each other in the Hunger Games. A very valid point.

Influences:

The panellists were influenced by the following authors:

Laurie Halse Andersen’s  Speak.  Liz Bankes’s  Undeniable

Sarah Dessen, John Green, Stephanie Perkins, Courtney Summers

My final thoughts on I’m too sexy for this book!.

This was the most entertaining and funny of all of the talks, and makes me wonder whether I should write sexy YA? Could be fun!

Well, that’s about it folks for sex in YA. I hope I haven’t misquoted anyone. If I have made any mistakes, or omitted anything many apologies.

Disclaimer: I couldn’t hear a damn thing so don’t blame me if I got it all wrong!

Authors websites:

http://www.catclarke.com

http://authorbethreekles.tumblr.com

http://www.wattpad.com/user/Reekles

http://nonpratt.com/

JD e-books

 

 

 

 

 

Panel Events YALC How To Get Published

th

I thought I would share with you some snippets of wisdom from the YALC Panel events on Sunday 13th July. I’ve been a bit slow about getting to this, but I have an excuse. My mother in law is visiting so I have been busy entertaining her, taking her out and about. So apologies for my tardiness. The UK’s first ever YA Lit Con, curated by Malorie Blackman, exclusively at London Film and Comic Con, was held at Earl’s Court from 12-13 July 2014. First of all before I launch into telling you about the panel events I just want to say how much I enjoyed attending the YALC event. It was g-r-e-a-t!!!

My bookish daughter, and I went along together and had some lovely mother, daughter bonding time.  This was great as she will be leaving the nest in September to go to University so these little moments are very precious to me.  We were fortunate to be able to join in the activities on both the Saturday and the Sunday. Though we didn’t manage to go to the pre-view evening, which was a bit of a shame, as we missed out on getting an ARC of Landline. Quelle dommage! Anyway I have remedied this by buying one on-line for my daughter and I am sure she will be happy to lend her copy to me. She better or there will be high drama!

What was the event like?

Well we arrived a bit later than I would have liked but luckily I had a ticket that allowed us entry without joining the long queue. Sorry long queuers, I really felt for you.   I am so glad I spent the extra money for the jump the queue tickets or else we would have been waiting a very, very, long time. The queues were ridiculously long.  On arrival we were stamped, this kind of reminded me of  my time as a University student. In those days a compulsory stamping was required to get into the Student Union for a night out. So that was a nice flashback in time. Unfortunately we took a while to get through the crowds to the very back of the far left hand corner of the event where the YALC was being held. It was a nice corner with soft beanie bags and bookish stands but boy did it take us some time to find it. Obviously they like to hide us bookish types away in a corner.

Consequently I missed the first workshop, Planning and writing a kiss-ass YA novel. So I was a tad disappointed. Though it turned out that all the workshops were organised on a put your name down and if you’re lucky you’ll be one of the thirty who  gets to join in. I was not very lucky, in fact I only managed to attend one workshop all weekend. Still that one was super awesome. Meet the agent: speed pitching for authors, with Amanda Preston & Louise Lamont (LBA Books.) Believe me I need all the help I can get with a five-minute pitch.  Speed is not my forte! Hey I do Tai Chi, 5 minutes,  that’s how long I take to get out of bed in the morning!

All the panel events were so entertaining, that I soon forgot my initial disappointment at not being able to attend the first workshop. On the Saturday, we began by  finding a seat at the Dystopia panel event chaired by James Smythe, “It’s the end of the world as we know it: the ongoing appeal of dystopia,” with Malorie Blackman, Sarah Crossan and Patrick Ness. Malorie Blackman got right into the spirit of the event by dressing up!

Malorie Blackman 01 copy

Also we enjoyed Regenerating the Doctor: reimagining famous characters, with Charlie Higson, Andrew Lane, Patrick Ness and Marcus Sedgwick, chaired by Steve Cole, and Bring me my dragons: writing fantasy today, with Frances Hardinge, Amy McCulloch, Jonathan Stroud and Ruth Warburton, chaired by Marc Aplin.

Oh and last but not least, Heroes of Horror! With Charlie Higson, Will Hill, Derek Landy and Darren Shan, chaired by Rosie Fletcher. These guys just love killing off characters, oh and they have no intention of ever-growing up!

horror panel 01 copys

It was a Saturday full of books, and fun so it couldn’t have been more perfect. Oh, and the cosplayers were amazing there were Doctor Whos, Sherlocks, Witches, Manga/Anime characters, Game of Thrones, ……………. and some scary guy on stilts, very frightening.

On the Sunday, the first panel was at 11.30: How to get published with Phil Earle and Sally Green, chaired by Ben Horsten of Penguin Books. Ben Horsten began the panel talk by introducing us to Sally Green, debut author of Half Bad,the first in a series of three, and Phil Earle, author of Being Billy, Saving Daisy, Heroic, and The Bubble Wrap Boy.  Phil Earle took five years to get into writing. He changed his career and became a children’s bookseller. During his time as a bookseller he developed an interest in literature, and in particular, young adult fiction.  In the panel event Phil Earle emphasised the importance of finding the right home for your writing. Trust your gut instinct. If you find the right home they will believe in you and do all they can to help you succeed. Sally Green agreed that it was important to have a good working relationship with publishers.

Are editors “Angels and devils?” Or are they a mix of both?  Sally recommended learning how to edit your own book. Having feedback buddies, analysing other people’s work, and developing a willingness to change, learn, and improve. I totally agree, I am a member of a writing group here in Cambridge and have found this really helpful. Sally’s advice is to  keep on going, even the most famous authors can take a long time to get there. She mentioned that Iain Banks wrote three books before the Wasp Factory was successful and  he didn’t give up.

Phil Earle emphasised the buzz, and encouragement that editors can build. Phil jokingly said that when you approach an agent, or an editor make sure that you stay sober!  No Stalking! “Don’t chase the market.”

Ben Horsten of Penguin Books  is on the look out for  writing that inspires his attention and has different kinds of polish. It has to have an amazing voice. A nugget, a ‘Je n’ai sais quoi.’ It is a  tough market for debut writers, but don’t despair publishers are on the look out for the next generation of writers.

Phil Earle discussed debut writers. He said that debut writers have a unique quality, they are bright and shiny. Bloggers like debut writers. I have to agree with Phil Earle on this one. There is nothing like encouraging a new writer to find their voice and succeed in a difficult market. Again, writing communities are great,  as are blog sites, and wattpad. But above all else be suggested be passionate!

Phil Earle has used editing agencies – Cornerstones – and found this useful. Sally was a bit wary of parting with money and suggested swapping manuscripts with other authors. Given her background – I believe she was an accountant before the creative bug hit her, this sounds likely advice from Sally! I’m also a bit loathe to part with money too, I’m sort of with you on this one Sally, but we’ll see I may have to succumb, and pay. At the moment I’m using trusted people to read and give feedback on my manuscript. Hopefully that will be enough.

Sally emphasised the importance of working on your manuscript, and not getting too side tracked by social media! Good advice! Wish I had thought of that!

Ben Horsten suggested checking out profiles of a few authors and how they connect with their fans on social media. This sounds like great advice……

Other snippets of  writer advice from the panel: Develop a good profile on twitter. Find an agent, using the twitter hastag, #askanagent. Make sure your first three chapters are the best they can be and also that you have a two-line pitch that delivers, and your synopsis just cries out to be read.

My advice: When attending these events remember to bring food and a lot of water. A nice sandwich would be awesome. It was very hot and sweaty inside the venue. So wear minimal clothing, but don’t get arrested. In fact I felt quite sorry for some people who were dressed in elaborate costumes, how could they possibly survive? So come prepared. Let’s hope that YALC  is an annual event, I want to go again! Oh and next time I want to dress up! I wore my glasses this time, next time who knows what I will look like!

Authors websites and information:

http://www.philearle.com/

http://www.halfbadworld.com

http://www.childrenslaureate.org.uk/yalc/yalc-schedule

 

Center for Fiction announces longlist for first novel prize

Reblogging this from Read Her Like an Open Book. Great list of books nominated for their longlist – the Centre for Fiction’s Prize in New York.

Bill Wolfe's avatarREAD HER LIKE AN OPEN BOOK

The Center for Fiction in New York City today announced the longlist of nominees for the 2014 Flaherty-Dunnan First Novel Prize. Seventeen of the 26 nominees were written by female authors, reflecting their dominance in the area of literary fiction in recent years, especially 2013-2014. The author of the winning book will receive $10,000 and each shortlisted author will receive $1,000. The 2014 Short List will be announced in September and the winner will be announced on December 9 at The Center for Fiction’s Annual Benefit and Awards Dinner at the New York Athletic Club. Recent winners include Margaret Wrinkle in 2013 for Wash, Ben Fountain in 2012 for Billy Lynn’s Long Halftime Walk, Bonnie Nadzam in 2011 for Lamb, and Karl Marlantes in 2010 for Matterhorn.

The Center for Fiction, founded in 1820 as the Mercantile Library, is the only organization in the United States devoted…

View original post 349 more words

June 2014 Book Recommendations

Reading recommendations for June from TCJWW the California Journal of Women Writers

TCJWW's avatarTCJWW

June Recommendations

Every month, our staff at The California Journal of Women Writers will be highlighting our current reading selections, in order to help grow exposure for the myriad of women writers who should be recognized for their work. Our collective voices as women have the ability to reach far and wide. By bringing you our favorite titles, our hope is that you’re introduced to new writers, new stories, and new visions. We promise you’ll find your next great reading choice from one of our lists.

Erika Rothberg

Ozick, Cynthia. The Shawl.
1990. 69 p.p. Vintage (978-0-6797-2926-6).

Atwood, Margaret. The Handmaid’s Tale. 
1985. 324 p.p. McClelland and Stewart (978-0-7710-0879-5).

Gilman, Charlotte Perkin. The Yellow Wallpaper and Other Stories.
1997. 70 p.p. Dover Publications; Unabridged edition (978-0-4862-9857-3).

Norte, Marisela. Peeping Tom Tom Girl.
2008. 125 p.p. 978-0981602035.

Goldman, Emma. A Dangerous Woman.
2007. 115 p.p. 978-1595580641.

Adichie, Chimamanda…

View original post 282 more words